Wednesday, December 18, 2019

H.G. Well’s The Time Machine Fearing Time - 1033 Words

The Time Machine by H.G. Wells open new doors to human imagination. The Time traveler, the main character of the book created a machine that can travel through time; hence the title of the novel. As he ventured to the future, in 802,701 AD to be precise, he saw that Humans have evolved into two races: the Elois and Morlocks. The Eloi’s were terrified of the Morlocks because desires to eat the Elois. The Time machine is not only to enjoy but a message conveying to the audience. Although The Time Machine is science fiction, it has numerous visions that were realistic. In the Victorian era, industrialism began expanding. New technology arose to society. When all of this was occurring Charles Darwin published his book in 1859 called†¦show more content†¦Therefore, connecting to Marxisim theory. The Morlocks were put under ground to work for the rich. As the Elois became weaker because everything was done for them, the Morlocks became stronger. The Morlocks revolted by eating the elois. Only at night. That’s why the elois stay all together at night. They are afraid of the dark because of the Morlocks. Since the Morlocks haven’t seen daylight their bodies were adapted and lost the ability to handle the strength of light. That’s why they hunt at night. â€Å"The Upper-world people might once have been the favored aristocracy, and the Morlocks their mechanical servants: but that had long since passed away. The two species that had resulted from the evolution of man were sliding down towards, or had already arrived at, an altogether new relationship.†(wells 7.2) This quote shows us that everything in this world changer in time. So the upper class was on top at one point, now things don’t seem to look so virtuous. When youre rich, you don’t tend to look up at people below you– until they become one of the â€Å"rich†. The rich become to fear the revolting poor. Time changes society â€Å"But that perfect state had lacked one thing even for mechanical perfection – absolute permanency. Apparently as time went on, the feeding of the Under-world, however it was effected, had become disjointed†. (Wells,10.4) All human action is useless, nothing lasts forever. The whole society changes, not even the time machine stayed there in the

Tuesday, December 10, 2019

Write an analysis on Ode to a Nightingale, focus Essay Example For Students

Write an analysis on Ode to a Nightingale, focus Essay ing on how Keats presentssome of the ideas he was struggling with at the time. A major point in Ode to a Nightingale is Keatss perception of theconflicted nature of human life, i.e., the interconnection or mixture ofpain/joy, life/death, mortal/immortal, the actual/the ideal, and theinextricable link between the real and the unreal. In the ode, Keatsfocuses on immediate sensations and emotions that the reader can draw aconclusion from or a notion. Throughout the ode he is trying to workthrough his ideas and feelings about pleasure and pain, and the linkbetween the real and the unreal. The opening of the poem is very heavy and negative; my heartaches, with numbness pains my sense making the reader think that it mustbe a very heavy pain to be felt when a person is numb. He feels as if hemight have of hemlock drunk or emptied some dull opiate to the drains;this resembles the qualities of the Lethe, the Underworld river that thedead drank from in order to forget all that they had done or said whileliving. The feeling is in fact the result of a deep awareness of thehappiness of the nightingale he hears singing; his resulting pleasure is sointense it has become painful. He feels joy and pain, a response of twominds he is happy, but he is too happy, which is then what is causing himthe pain. The ode reads as if Keats is jealous, but he is not, he isexamining the ironic link between happiness and sorrow; can pleasure be sointense that it numbs us or causes us pain? At the beginning of the ode,the bird is presented to us as a real bird, but as the poem progresses, thebird becomes a symbol for the beauties of nature and the ideal world. In the opening of the poem, a sense of sluggish weightiness issuggested by the heavy, almost thudding, alliterative sounds produced bythe repetition of d (drowsy, drunk, dull, drains), m (My,numb, hemlock, minute), and p (pains, emptied, opiate,past). If we compare this to the effects created in the second half ofthe stanza by the light assonantal trees, beechen green andsibilant sounds shadows, singest, summer the reader can see thatthe nightingale, in comparison to the poet, is a much freer spirit. Wanting to escape from the pain of a joy-pain reality, Keats beginsto move into a world of imagination or fantasy. He then says he wants to beintoxicated, clearly not wanting to get drunk, but he is associating thewine with a quality, or a state of mind which he is seeking. He wishes todrink to escape the real world, to leave the world unseen and enter theideal world through fantasy; he wants to be full of warmth and beauty; hewants to be free like the nightingale. He wishes to forget the negativity,aging, and the suffering of the world. Youth grows pale; could be seen ashim referring to his brother dying of tuberculosis a few years earlier, andbeauty cannot keep meaning everything beautiful dies. He personifiesbeauty here, with her lustrous eyes making beauty human, and so it willfade and die as all humans do eventually. The description of drinking andof the world associated with wine is idealized. The word vintage refersto a fine or prime wine; and it is used because if he was drin king a cheapwine, it would not have as pleasant an effect on him. Positive imagery isused much more as the feeling in the second stanza becomes a lot lighter,happier and freer. The activities in line 4 follow one another naturally:like a dance, and dance is associated with song; together they producepleasure (mirth), which is sunburnt because the country dances are heldoutdoors. Keats repeatedly combines different senses in one image; heattributes the traits of one sense to another, a practice calledsynaesthesia. Sunburnt mirth is an excellent example of synaesthesia inKeats imagery, since Flora, the green countryside, etc. are beingexperienced by Keats through drinking wine in his imagination. .ua3c3158c85f52f2a775f030a78677d37 , .ua3c3158c85f52f2a775f030a78677d37 .postImageUrl , .ua3c3158c85f52f2a775f030a78677d37 .centered-text-area { min-height: 80px; position: relative; } .ua3c3158c85f52f2a775f030a78677d37 , .ua3c3158c85f52f2a775f030a78677d37:hover , .ua3c3158c85f52f2a775f030a78677d37:visited , .ua3c3158c85f52f2a775f030a78677d37:active { border:0!important; } .ua3c3158c85f52f2a775f030a78677d37 .clearfix:after { content: ""; display: table; clear: both; } .ua3c3158c85f52f2a775f030a78677d37 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua3c3158c85f52f2a775f030a78677d37:active , .ua3c3158c85f52f2a775f030a78677d37:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua3c3158c85f52f2a775f030a78677d37 .centered-text-area { width: 100%; position: relative ; } .ua3c3158c85f52f2a775f030a78677d37 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua3c3158c85f52f2a775f030a78677d37 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua3c3158c85f52f2a775f030a78677d37 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua3c3158c85f52f2a775f030a78677d37:hover .ctaButton { background-color: #34495E!important; } .ua3c3158c85f52f2a775f030a78677d37 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua3c3158c85f52f2a775f030a78677d37 .ua3c3158c85f52f2a775f030a78677d37-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua3c3158c85f52f2a775f030a78677d37:after { content: ""; display: block; clear: both; } READ: A Modest Proposal Response PaperThe image of the beaded bubbles winking at the brim is much admiredfor its onomatopoeic effect; it captures the action of sparkling wine andthe alliteration duplicates the sound of bubbles bursting. This image ofthe bubbles is actual; in contrast, the previous imagery in the stanza isabstract. His awareness of the real world pulls him back from the imaginedworld of drunken joy. He still perceives the real world as a world of joyand pain (the two being linked). Keats thinking of the human circumstanceintensifies Keats desire to escape the real world. Keats uses the wordfade in the last line of the second stanza and in the first line of thethi rd stanza to tie the stanzas together and to then be able to move easilyinto his next thought. By implication, the nightingale lives in a worldmuch different to Keats own; the nightingales world is full of beauty andtherefore will last forever, whilst Keats own world will not, it will oneday die and fade away. AKeats suddenly cries out Away! away! for I will fly to thee. He thenturns to fantasy again; he rejects the idea of drinking wine in line 2, andin line 3 he announces he is going to use the viewless wings of Poesy tojoin the nightingale. He explains that it might be difficult to get there,but in fact he is already there with the nightingale in the fantasy worldin his mind. He contrasts the experience through poetry to the dull brainthat perplexes and retards (line 4); the mind is often related to work,while the heart is usually related to emotion. In line 5, he seems tosucceed in joining the nightingale. The imagined world described in therest of the stanza is dark; there is no light, associating the light andthe dark to Platos Cave; the theory of the harsh light being the realworld, and the soft darkness is the ideal world. ABecause Keats cannot seein the darkness, he relies on his other senses, taking us through them inthe next stanza. Not being able to see makes the experience more intense,and the language intensifies with it, and the tone of the poem changes. Even in the dark refuge, death is present; embalmed meaning both amethod of burial and a sweet smell. Even in the ideal world there are stillnegative points. The hints of death bring the tone of the ode down again,to prepare us for his coming out of his trance in the last stanza. Itcould be said that death was almost anticipated (in a sort of propheticirony) by the vague suggestions in the words Lethe, hemlock, drowsynumbness, poisonous, and shadowy darknessIn the sixth stanza, Keats starts to distance himself from thenightingale, which he joined in imagination in the earlier parts of theode. Keats says he yearns to die, a state which he imagines as only joyful,as pain-free, and a state in which he can truly merge with the birds song. The nightingale is set apart as wholly blissfulfull-throated ease inthe first stanza and pouring forth thy soul abroad / In such an ecstasy!(lines 7-8). In the last two lines of this stanza, the poet no longeridentifies with the bird. He realizes what death means for him; death isnot release from pain; rather it means non-existence, the inability to feelthe birds ecstasy. Keats realizes that it is the song that will last, notthe bird, because if the nightingale were to fly away, the song would leavewith it. .ud98aa9067b8a8d2653643d539a1b1eea , .ud98aa9067b8a8d2653643d539a1b1eea .postImageUrl , .ud98aa9067b8a8d2653643d539a1b1eea .centered-text-area { min-height: 80px; position: relative; } .ud98aa9067b8a8d2653643d539a1b1eea , .ud98aa9067b8a8d2653643d539a1b1eea:hover , .ud98aa9067b8a8d2653643d539a1b1eea:visited , .ud98aa9067b8a8d2653643d539a1b1eea:active { border:0!important; } .ud98aa9067b8a8d2653643d539a1b1eea .clearfix:after { content: ""; display: table; clear: both; } .ud98aa9067b8a8d2653643d539a1b1eea { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud98aa9067b8a8d2653643d539a1b1eea:active , .ud98aa9067b8a8d2653643d539a1b1eea:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud98aa9067b8a8d2653643d539a1b1eea .centered-text-area { width: 100%; position: relative ; } .ud98aa9067b8a8d2653643d539a1b1eea .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud98aa9067b8a8d2653643d539a1b1eea .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud98aa9067b8a8d2653643d539a1b1eea .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud98aa9067b8a8d2653643d539a1b1eea:hover .ctaButton { background-color: #34495E!important; } .ud98aa9067b8a8d2653643d539a1b1eea .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud98aa9067b8a8d2653643d539a1b1eea .ud98aa9067b8a8d2653643d539a1b1eea-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud98aa9067b8a8d2653643d539a1b1eea:after { content: ""; display: block; clear: both; } READ: Drug Legalization In America EssayKeats moves from his awareness of his own mortality in the precedingstanza to the perception of the birds immortality. On a literal level, hisperception is wrong; this bird will die. On another level, he is suggestingthat the nightingale is a symbol of the continuity of nature. AForlorn and perilous would not ordinarily be associated withmagic/enchantment. These words hint at the pain the poet recognized in thebeginning of the poem and that which he is trying to escape. The poet repeats the word forlorn from the end of the seventhstanza; Keats is now forlorn, as thinking of the world has brought him backinto the real world. He describes the word forlorn as a bell, and each wordfrom the very to sole self has one syllable, and when read sounds verymuch like the tolling of a bell. In lines 2 and 3 or this stanza, the poetsays that fancy (his imagination) has cheated him, as has the elf (thenightingale). The bird has ceased to be a symbol and is again the actualbird the poet heard in the first stanza. Keats, like the nightingale, hasreturned to the real world. The birds song becomes a plaintive anthemand gets fainter as it flies away, which is Keats examining the idea ofpermanence through art, and art being beauty. If the bird flies away, thesong will leave too. The song dying is the last of the death imagesrunning through the poem. With the last two lines of the ode, Keats wonders whether he has hada true experience or whether he has been daydreaming. He is bothquestioning the validity of the experience, and expressing his inability tomaintain a true vision for a long time. This is another time where heexamines the permanence of things in art and the imagination. Is hisexperience a false vision, or is it a true experience of insight into thenature of reality?

Tuesday, December 3, 2019

Poetry Comparison Barbie Doll & Youths Progress Essays - Barbie Doll

Poetry Comparison Barbie Doll & Youth's Progress Young versus old. Death versus eternal life. The positive effects of societys pressure versus the negative. Marge Piercys Barbie Doll and Dick Schneiders Youths Progress are a study in the themes mentioned above. There are many obvious similarities in the chronological structure and irony of the two works. However, the reader will find that there are more thought-provoking contrasts than initially meet the eye. Not surprisingly, the poems follow the natural course of chronological time: beginning to end, young to old. Both poems unfold with birth, continue through the growing up years, but do not surpass adulthood. The separation of stanzas in both works indicates a new stage of life, though Piercy leaves the reader to guess the actual age of the girlchild in Barbie Doll. The reader will note that a major theme of both poems is the long-term effect of outside pressure on the subjects from birth. Piercy employs the stylistic device of irony throughout the entirety of her poem. It required the magic of puberty for a child to point out the negative aspects of a physical body. A healthy, intelligent and strong woman is compelled by society to bustle to and fro apologizing, apologizing for failing to mirror the image of the Barbie-like woman the world seems to want. Though she attempts to defy these expectations by cutting off her great big nose and fat legs, in her death the woman is displayed in her casket, cosmetics painted on and a beautiful turned-up putty nose. Finally, she fits the mold cut for her by society. Our way of life has hardly changed since a wheel first whetted a knife. While Youths Progress chronicles the growth of the subject with specific years and ages, Barbie Doll simply accounts for the passing of time in a story-tellers fashion of memories. Barbie Doll ends with the tragedy of a woman who, because she didnt live up to the unrealistic standard created for her, resorts to suicide. Youths Progress concludes with the exhortation of public approval and the sense of eternal life in exchange for submitting to the unofficial rules of social acceptance, eager to fit the mold. To some, the immortalized life of Schneider is preferable to the tragic death of Piercys girlchild Young versus old. Death versus eternal life. The positive effects of societys pressure versus the negative. The course a life will take is ultimately decided by the individual, the sum of his choices and reactions to the cards dealt to him by Life. The choice is yours. Bibliography Bowland, Eavan. Its a Womans World, 1982. Poetry and Poets